Moca museum black frames4/1/2023 ![]() 1410 Broadway, (ZAZ10TS), a building installation Times Square NYC., the MOCA Museum Pavilion, Shanghai, I-Green Pujiang Park, Souzho Village, a 23 x 8 meter “ Magic Wall “ of 60 of her painting. A sustainable art installation, printed on recycled ocean plastic bottles fabrics, at Glam, Shanghai. Her latest Installations include, ‘Message in a bottle’. Israel Opera House and Frishman 46 Art Space Tel Aviv to name a few. Leo Gallery, the Baptist University Hong Kong. Courtesy the artist and Commonwealth & Council.Signed by Facsimili with Certificate of Authenticityīasmat Levin is an Israeli artist works between her studios in Shanghai M-50 and NYC. Her works were exhibited at ArtCN Gallery, Leo Gallery, I-Green Shanghai PujiangPark.,Zhoupu Art Museum Why Why Art, Tangram Gallery, Dunhill Twin Villa, Shanghai, Ischam Gallery, 798, Beijing. Image Credit: Kenneth Tam, Silent Spikes (video still), 2021. Tam’s work is in the collections of Hammer Museum, Los Angeles Minneapolis Institute of Art, Minnesota Dallas Museum of Art, Texas and Solomon R. Tam is faculty at Princeton University and the Milton Avery Graduate School of the Arts at Bard College. Selected group exhibitions have been held at The Shed, New York (2021) SculptureCenter, New York (2019) 47 Canal, New York (2018) Hollybush Gardens, London, UK (2017) Hammer Museum, Los Angeles (2016) and Museum of Fine Arts Houston, TX (2016). Recent solo exhibitions have been held at Institute of Contemporary Art, Los Angeles (2021) Times Square Arts, New York (2021) Queens Museum, New York (2021) Madison Museum of Contemporary Art, WI (2021) The Kitchen, New York (2020) Sarah Lawrence College, Bronxville, New York (2020) Visual Arts Center, University of Texas at Austin (2019) Commonwealth and Council, Los Angeles (2019) 18th Street Arts Center, Santa Monica, CA (2018) Minneapolis Institute of Art, MN (2018) and MIT List Center for Visual Arts, Cambridge (2017). 1982, Queens, New York lives and works in Queens) received an MFA from University of Southern California in 2010 and BFA from Cooper Union in 2004. ![]() The two-video installation Silent Spikes was originally commissioned by the Queens Museum, New York. In-kind support provided by The Downtown Clifton Hotel. The exhibition is supported by VIA Art Fund and Wagner Foundation Commonwealth & Council Arts Foundation for Tucson and Southern Arizona and MOCA Tucson’s Board of Trustees, Ambassador Council, and Members. Kenneth Tam: Silent Spikes is organized by Alexis Wilkinson, Assistant Curator, MOCA Tucson. Interweaving past and present, expression of self and performance, Silent Spikes establishes a realm of potential where vulnerability, underrepresented histories, inherited struggles, and revised tropes present counter-narratives and offer soft, sensuous, and more expansive forms of male embodiment. Working with contemporary subjects to unravel popular portrayals and expectations of masculinity, Tam reimagines longstanding stereotyped representations of Asian males in media. The video is accompanied by three black and white photographic portraits that depict Tam’s cowboys at close range and in high relief, gazing resolutely into the distance. These scenarios are combined with references to an 1867 strike undertaken by thousands of Chinese Transcontinental Railroad workers – the largest organized labor action in United States history to that point. The central video installation is composed of vignettes of a group of self-identified Asian American men inhabiting the figure of the cowboy – an archetype of white American masculinity – and engaging in intimate conversations on a hazy, dreamlike set. Tam reflects on the underrepresented relationship between histories of Westward expansion and Chinese immigration in the United States. ![]() Featuring a two-channel video installation with accompanying photographs, the show examines the performance of gender and considers the power of image production and circulation, asking who has been silenced, erased, or left out of the frame. Silent Spikes is an exhibition by artist Kenneth Tam that investigates the intersections of masculinity, race, and labor.
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