Access virus craigslist desktop3/31/2023 Some parameters need to be dug from deeper multi-page menus, especially the added features from the latest firmware updates. The UI can be a hit or miss but the layout of everything is logical and most of the functions in menus are found from dedicated, labeled buttons, which go to the relevant menus. As this is a quite complex synth it is highly recommended to read Access Music's / Howard Scarr's 'Programming analog synthesizers' and the user manual to understand the what, where, why and how. Learning how to optimize your programming to save the DSP resources and get the maximum polyphony out of the synth takes a bit time but the results are rewarding. Modulation and sounddesign possibilities are among the best that hardware synthesizers has to offer when using the multi mode. Controlled from a sampler/sequencer and using the multitimbrality the possibilities of creating soundscapes of past and present are literally endless. There is a third-party librarian/editor from Aura, which can even do audio over USB for newer macOS (the official one stopped working since Catalina, the Windows version however, is FINE).įor a late 90's underground electronic music enthusiast this is a dream synth. One last note, don't be discouraged by the fact that the developer has stopped updating the software editor (but it doesn't mean we should stop bugging them). I think all the other software synth I have can only get "close" to the actual Virus, but it's never really the same. The sound of the Virus is just so unique and can punch through the mix without doing collateral damage to other tracks. What the Virus can do is already more than enough for me.Īlso, what I just wrote about is merely about capability, not the actual sound. I said general users, because of course the complex software synth can do some crazy stuff the Virus is incapable of doing, but will those sounds end up in my music? Well they can, but probably won't. The Virus somehow achieved the balance between depth and user-friendliness for general users like me. I own Omnisphere and UVI Falcon, and they are deep and can get really complex, so they should do what the Virus can do and more, but when I use those synth, I often got lost in the GUI very quickly. But is there ONE synth that can do it all? Maybe, but definitely not as intuitive and straightforward as the Virus. On top of all that, the Virus also has some superb effects: reverb, delay, chorus, 3-band eq, vocoder, distortion (more than 20 modes!), character control (you can for example add some analog warmth or add enhancement to the lead or bass sound), a punch control (how much transient do you want).Ĭan I get all those using some software synths? Sure, I guess. FM, Wavetable, Granular, Dedicated Supersaw (No the same as unison, which can actually be applied on top of the supersaw), and unique formant oscillators. I said almost, because there are few niche (complex FM with more than two oscillators) or new technology (resynthesis) that the virus can't do, but for most users, what the Virus can do is much more than enough. Well, first thing first, the Access Virus can do almost ANYTHING you desire out of a digital synth (be it software or hardware). Initially, I was just curious: as the software synth grow more and more powerful these days, what's all the fuss about a virtual analog synth? I mean, there are many other synths that can do what virus can do and more. I have been eyeing for Access Virus TI ever since the first time I heard about it a few years ago (yes, I'm a bit late to the game).
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